Rather predictably the active and restless Bostoniana was a Charles Munch Tanglewood commission - in fact what they asked for was a symphony. Such a pity that First Edition CDs are no longer around to perpetuate the legacy. It's clearly another successful artefact of Louisville's philanthropic scheme to put the city on the cultural map internationally - which the scheme did. Like the Symphonie Marine solo lines emerge repeatedly in the almost equally exuberant Louisville Concerto - so designated despite running only to concert overture length. The supercharged whooping cascading effusions of Bacchanale are bound to impress but don't I recall another even more animalistic recording by Bernstein and the L'ORTF also on EMI? Written for the tenth anniversary of the BBC Third Programme, it's a superb riotous showpiece rather the equivalent of Szymanowski's early Concert Overture and the first movement of Enescu's First Symphony. It's a work that in its freshness and intricacy of detail fascinates. There is no swelling oceanic sweep here sketched in suggestions are the order of the day. The Symphonie Marine was not played during Ibert’s life and only achieved performance one year after his death. Frémaux and the CBSO give this work a rowdy outing. The echoes here are largely of absurdist Satie, of Ravel's Ma Mère l'Oye in Cortege, of Prokofiev in parade and in the tempo di galop of the then 'madmen' of music such as Antheil, Ornstein and Cowell. It is an excuse for a brilliant weave of parody and display. His Divertissement is drawn from his incidental music for a production of a Goldoni play The Italian Straw Hat. The covers of those albums are engraved in my memory. I have known most of these recordings from having started exploring Ibert on LP during the period 1971-78. Ibert had his frivolous ’twenties moments but for the rest he is a pleasing melodist with a fastidious and effective ear for orchestral effect. OK so they might have a few more recent recordings but in terms of still very good sounding analogue this is the business and at superbudget price. The competition just don't have the catalogue depth to match it. It's the sort of thing you can do when you are EMI. This munificent collection has the air of a challenge thrown down with all the panache that comes of knowing that no-one else can match it.
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